tag:blogger.com,1999:blog-61376754079494888062023-07-19T07:34:16.796+01:00irene pimentelIrene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comBlogger183125tag:blogger.com,1999:blog-6137675407949488806.post-11568531167211766782020-06-26T13:09:00.001+01:002020-06-26T13:11:26.079+01:00A VERSÃO FALSEADA SOBRE ARISTIDES DE SOUSA MENDES NA WIKIPÉDIA | texto publicado no Jornal Público online a 21 Junho 2020<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;">PODE VER <a href="https://www.publico.pt/2020/06/21/politica/noticia/versao-falseada-aristides-sousa-mendes-wikipedia-1921080?fbclid=IwAR3pOcLf7SbZxVtYnkt4kn-QrSUFSUKPLKHARtayReXHzD-5VDDNOrSHuGY" target="_blank">AQUI</a></span></td></tr>
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Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-60789869577321197932020-06-16T12:53:00.002+01:002020-06-16T12:53:31.590+01:00“Supremacismo branco e populismo nacionalista de extrema-direita estão a ser promovidos pelo Presidente Trump”<div style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt;">
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“Supremacismo branco e populismo nacionalista de extrema-direita estão a ser promovidos pelo Presidente Trump”</h1>
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<div datetime="2020-06-03T12:00:24.985Z" style="color: #01a99d; display: inline-block; float: left; font-family: "Source Sans Pro", Roboto, "Helvetica Neue", "Droid Sans", Helvetica, Arial, "Open Sans", sans-serif; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 30px; outline: 0px;">
03.06.2020 às 13h00</div>
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A mensagem de Donald Trump foi clara para os seus apoiantes e adversários quando fez “a ameaça simbólica de estar a enveredar para uma situação de ‘cruzada’ armada”, diz ao Expresso a historiadora Irene Flunser Pimentel</h2>
<a data-saferedirecturl="https://www.google.com/url?q=https://expresso.pt/autores/2015-05-02-Cristina-Peres-1&source=gmail&ust=1592394677710000&usg=AFQjCNFNmhiSRZtLQ4JL-PO0PQD2UXcSqA" href="https://expresso.pt/autores/2015-05-02-Cristina-Peres-1" id="m_5516985305164834402m_-762002607319936219LPlnk814618" style="color: #1155cc; font-family: Merriweather, Georgia, serif; font-size: 11px; font-weight: 900; margin: 0px; outline: 0px; text-transform: uppercase;" target="_blank">CRISTINA PERES</a></div>
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O assassínio de George Floyd por um polícia em Mineápolis expôs ainda mais a deriva autoritária do Presidente dos Estados Unidos. A América está na rua há uma semana, em protestos, e Donald Trump ameaça enviar o exército para alcançar o que considera que nem a polícia nem a Guarda Nacional conseguiram ainda: repor a ordem.</div>
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Para ajudar a ler a tradição de violência racista que se reconhece nos Estados Unidos e a ultrapassagem de limites que seria impensável até há pouco, o Expresso pediu à historiadora Irene Flunser Pimentel que comentasse a ameaça à democracia a que se assiste.</div>
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Doutorada em História Institucional e Política Contemporânea, Irene Pimentel é investigadora do Instituto de História Contemporânea da Nova-Faculdade de Ciências Sociais e Humanas. É co-autora e autora de extensa bibliografia, que inclui <span style="margin: 0px; outline: 0px;">“</span>A História da PIDE<span style="margin: 0px; outline: 0px;">”</span> (2007), <span style="margin: 0px; outline: 0px;">“</span>Espiões em Portugal durante a II Guerra Mundial<span style="margin: 0px; outline: 0px;">”</span> (2013) e <span style="margin: 0px; outline: 0px;">“</span>História da Oposição à Ditadura em Portugal<span style="margin: 0px; outline: 0px;">”</span> (2014). No passado dia 28 de maio, deu uma aula online sobre o golpe que, naquele mesmo dia de 1926, fez ascender o fascismo em Portugal.</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">Numa série de artigos de opinião em jornais consagrados lê-se que o caso George Floyd decorre de uma tradição de violência nos EUA, mas que desta vez se ultrapassou uma fronteira. Concorda?</span><br style="margin: 0px; outline: 0px;" />Subjetivamente, diria que esta fronteira foi ultrapassada devido a ter sido <i style="margin: 0px; outline: 0px;">one too many </i>e porque estamos no século XXI e Obama foi Presidente dos Estados Unidos. Mas, na realidade, penso haver uma razão muito objetiva: o assassínio foi filmado, durou muitos minutos, foi precedido por tortura e à vista de muitos, que chamaram a atenção para o que estava a acontecer e para a súplica de George Floyd, segundo o qual “não podia respirar”.</div>
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Penso ter funcionado a situação de empatia (colocar-se na posição da vítima), embora, desgraçadamente, ninguém tenha conseguido salvar George Floyd, um ser humano, com nome e identidade. Devo dizer que fiquei muito revoltada, mas não consegui partilhar aquele vídeo que retratava uma situação limite de crueldade desumana e infamante. Manifestei-me sobre o caso, mas sem mostrar a situação de sofrimento e morte. Depois, também foi terrível a atitude dos “colegas” polícias, de total cumplicidade e indiferença pelo que o assassino estava a fazer, quando a obrigação de qualquer ser humano é salvar uma pessoa em perigo. O que todos sentimos, de forma impotente, é que deveríamos, e os que assistiam deveriam ter reagido fisicamente contra o agressor. Não sei o que teria acontecido em Portugal, onde por vezes há também violência policial e racista. Mas sei que nos EUA até se aprende a não responder ou reagir mal à polícia, que está armada até aos dentes.</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">O joelho no pescoço, a subjugação prolongada pelo polícia pareciam afirmar <span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">“</span></span></span>faço o que eu quero<span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">”</span></span></span>, uma clara <span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">“</span></span></span>peça<span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">”</span></span></span> de informação dirigida aos defensores da supremacia branca, que devem todos ter entendido que <span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">“</span></span></span>é tudo nosso<span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">”</span></span></span>.</span><br style="margin: 0px; outline: 0px;" />Também me ocorreu precisamente isso. Lembramo-nos de algo que hoje – felizmente – também já é criminalizado se for feito a animais (aqui ainda temos as touradas). Também nos fez recordar a escravatura e o colonialismo, até porque – ainda não o disse, mas é relevante – a vítima é um afro-americano e o algoz um branco, pelos vistos cioso de expressar o que pensa ser a sua supremacia (de assassino). Penso que o supremacismo branco, o populismo nacionalista de extrema-direita tem feito rapidamente um caminho que era impensável há uns anos, pois é potenciado pelo próprio Presidente. O que tudo também revela é que o mal, o racismo, o supremacismo estão banalizados e normalizados, neste século XXI, e são incentivados a partir de cima, numa sociedade e numa situação política que guarda aspectos democráticos.</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">Ou seja, estamos baralhados?</span><br style="margin: 0px; outline: 0px;" />Estamos baralhados, mas não deveríamos estar, com a possibilidade de crimes e a falência da ética, escassos 80 anos históricos após o Holocausto e a II Guerra Mundial. E com aspetos semelhantes e reconhecíveis com os anos 20 e 30 do século XX.</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">Donald Trump apoia-se no último <i style="margin: 0px; outline: 0px;">slogan</i> da sua campanha de 2016 ainda por esgotar, “<i style="margin: 0px; outline: 0px;">Law & Order</i>”, dado que o estado da economia e a subida do desemprego denunciam a falência do <span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">“M</span></span></span>ake America great again<span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;"><span style="margin: 0px; outline: 0px;">”</span></span></span>. A deriva autoritária do Presidente põe em causa outros níveis do poder, desacreditando os governadores dos estados por não serem capazes de atirar a matar, em último caso. Qual será o limite? Uma guerra civil?</span><br style="margin: 0px; outline: 0px;" />A expressão é mesmo <span style="margin: 0px; outline: 0px;">“</span><i style="margin: 0px; outline: 0px;">Law and order</i><span style="margin: 0px; outline: 0px;">”</span> against <span style="margin: 0px; outline: 0px;">“</span><i style="margin: 0px; outline: 0px;">Law and order</i><span style="margin: 0px; outline: 0px;">”</span>, através desta deriva autoritária, que já se revelava mas a partir de ontem subiu um patamar mortal, e com o apoio de parte dos norte-americanos. Trump e os seus estão acossados, com a situação económica e de desemprego e com a pandemia, que não conseguem debelar nem atenuar e que lhes pode retirar – oxalá – a vitória nas eleições de novembro. Mas essa deriva já era muito evidente na ocupação de lugares na Justiça, na manipulação da verdade e na utilização da comunicação social. Ontem [segunda-feira 1 de junho] assistiu-se a uma terrível novidade: após já ter tentado colocar em causa o poder dos governadores e dos<i style="margin: 0px; outline: 0px;"> mayors</i> no desconfinamento durante a pandemia Trump falou com eles – parece que na sequência de um telefonema com Vladimir Putin (!) – dizendo que eram moles se não atuassem de forma repressiva. Depois fez o discurso da autoridade (autoritarismo), em que a palavra “dominar” surgiu várias vezes, afirmando que chamava o Exército, o que penso não se poder fazer internamente para colocá-lo contra os norte-americanos. E, após dizer isso tudo numa conferência de imprensa em que não admitiu perguntas, caminhou até ao carro, para se dirigir em comitiva, com filha, genro e vice-presidente, até à Igreja de Washington, à porta da qual tirou uma foto de Bíblia na mão. A bispa já condenou esse aproveitamento da sua Igreja. A mensagem foi clara, para apoiantes e adversários: a ameaça simbólica de estar a enveredar para uma situação de “cruzada” armada. Em simultâneo as televisões mostravam, a polícia (não a de Washington, como já foi esclarecido), mas a federal, que de imediato varreram com brutalidade as ruas de manifestantes pacíficos, antes de vigorar o recolher obrigatório decidido pelas autoridades de DC [Distrito de Colúmbia, onde fica a capital dos EUA]. Tudo filmado e reportado por dezenas de jornalistas e fotógrafos. O que me faz dizer que a coreografia – à boa maneira fascista – foi toda minuciosamente organizada para os seus apoiantes, que continuam a existir, faça Trump o que faça. Não foi ele que disse que, mesmo se matasse alguém na rua, a sua popularidade não desapareceria? Penso que o termo guerra civil é muito forte e não deve ser gratuitamente usado, mas o que ele sempre fez e está a fazer é dividir os norte-americanos, para a guerra civil. Trump já começou a guerra civil, que agora militarizou e policiou. Ainda hoje [terça-feira 2 junho] uma amiga norte-americana revelou-me o tremendo medo em que está, pois as pessoas não estão preparadas para esta ascensão da violência.</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">Será tudo isto possível porque Trump vive isolado numa lógica de aparições para a TV e palavras de ordem e incitamento à violência via Twitter. De que pode valer-lhe o apoio da extrema-direita, dos supremacistas brancos, do Klu Klux Klan e de outros poderes subterrâneos?</span><br style="margin: 0px; outline: 0px;" />O homem é um narcísico que criminosamente só surge na televisão para dizer disparates (que os seus apoiantes adoram) e mentiras e atiçar através do Twitter. Não disse ele, contra a ciência, que tinha remédio para o covid-19? Injetar detergente, expor-se a ultravioletas e tomar o medicamento contra a malária. É um especialista nas <i style="margin: 0px; outline: 0px;">fake news</i>, que, ao fazer equivaler verdade e mentira, eliminam qualquer ética. Trump é o verdadeiro populista demagogo, manipulador com frases simples e curtas, que ele cultiva com perícia – e está a ser aconselhado nisso –, as suas aparições como homem providencial. Não conheço suficientemente os EUA para poder dizer até que ponto a extrema-direita, KKK e outros mais subterrâneos são eficazes. Mas sabe-se que estão a potenciar a violência das manifestações, que Trump atribui exclusivamente ao movimento Antifa e a “anarquistas”, quando isso serve os seus propósitos de desestabilização e desordem. As aparições a favor de Trump e do desconfinamento de gente armada nos EUA banalizaram a extrema-direita, à maneira das S.A. na Alemanha nazi. Eles não pareciam muito numerosos, mas podem ter querido dar essa aparência.</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">Um ex-responsável por uma pasta da justiça escreve no “The Guardian” que Trump já não preside a nada, que se demitiu de administrar, que não trata da crise que tem em mãos, só incita à divisão, que declarou o poder central não responsável pelo combate à pandemia atirando o ónus das dificuldades para os governadores... Como analisa esta reação?</span><br style="margin: 0px; outline: 0px;" />Li esse artigo e penso que tem toda a razão. Trump joga golfe, diz disparates e mentiras, mas não governa nem administra; nem ninguém por ele. Curiosamente, nunca se foi tão longe na opinião pública na condenação e crítica a Trump. Mas o problema é até esse, não serve de nada, pois quem lê “The Washington Post”, “The New York Times” e vê a CNN não são os mesmos que veem a Fox News. Mas os EUA ainda não parecem estar ao nível do Brasil e espero que as instituições democráticas, o Congresso, os <i style="margin: 0px; outline: 0px;">mayors</i>, os governadores, a comunicação social (que não está parada) e o aparelho de justiça – aquele ainda não tomado por Trump – reajam. Até já houve uma tentativa de<i style="margin: 0px; outline: 0px;"> impeachment</i> que deu em nada!</div>
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<span style="font-weight: bolder; margin: 0px; outline: 0px;">Gostaria que identificasse as atitudes desta administração que correspondem ao <i style="margin: 0px; outline: 0px;">modus operandi</i> da extrema-direita. De fascistas? Há ressonâncias de outros tiranos? Ou de ditaduras, se for o caso.</span><br style="margin: 0px; outline: 0px;" />Assim como nós conhecemos a História – aqueles que a conhecem – também a extrema-direita nacionalista, supremacista, racista e xenófoba a conhece. Grupos de extrema-direita paramilitares introduzem-se nas manifestações de protesto contra o crime perpetrado contra George Floyd para iniciar a violência que, segundo dizem, trará a “nova América”. Só não falo em fascismo, enquanto historiadora, pois a história não se repete e o fascismo fez parte de um determinado contexto histórico mundial, que não é o mesmo do dos anos 1920 e 1930. Mas, enquanto cidadã, não me repugna falar de fascismo, pois – mal ou bem – clarifica e caracteriza aquilo de que estamos a falar e produziu determinados resultados monstruosos. Desde que há escrita, sabemos que o ser humano não se modificou muito, desde o Egito antigo, Grécia e Roma. Sabemos o que é o poder e a tirania, e como funciona, das tragédias gregas a Shakespeare. Hoje [terça-feira 2 de junho], uma historiadora norte-americana afirmou que já esperava há muito o que se passa desde que Trump foi eleito. Nunca pensei que fosse atuar de forma democrática, atendendo aos seus antecedentes (nem Bolsonaro), apenas não sabia como iria atuar para acabar com a democracia. Temos de começar a falar assim: a democracia está em perigo e todos somos poucos para defendê-la. Primeiro, foram eleitos os candidatos a ditadores, depois ocuparam os lugares na Justiça, fizeram jornais e canais televisivos e usaram as redes sociais, muito adaptadas ao populismo. O que nos baralhou um pouco relativamente ao fascismo foi que estes candidatos não precisaram de ilegalizar e proibir partidos nem instaurar a censura. Dividiram tudo e todos, fizeram equivaler a verdade à mentira e diabolizaram os adversários políticos e as elites, erigindo-os como inimigos principais do “povo”. Há aspetos parecidos com o nazismo: a escolha de bodes expiatórios, a exploração da insegurança e dos medos da população, a banalização da violência e do racismo, bem como a transformação da ética e da justiça nos seus contrários. Hannah Arendt avisou que, na Alemanha nazi, foram raros os alemães que se ergueram contra o regime, a violência contra os “outros”, fossem adversários políticos ou raciais, porque é difícil usar o imperativo categórico kantiano e distinguir o bem do mal e agir em conformidade. E é sobretudo difícil quando o crime vem de “cima”. Só espero que nós hoje consigamos defender a democracia e a pandemia não é boa conselheira.</div>
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Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-27596466602853612662019-01-22T14:47:00.002+00:002019-01-22T14:47:38.573+00:00 Estão todos convidados. Dia 12 de Fevereiro, no Corte Inglês, pelas 18.30h. Apresentação de José Pacheco Pereira.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5aCWJFVJDVDkf5WhmJ2MpKMexY7DZXSbB78_o8CDnTFlCJUQOo2RNOEIck-orU_VCngmURnjX6xbziPCPBQIAniW1GgGkQtDLtBiZTZ1dQf5TDn0efRC_tCRzyuku_KS1FJtgPdjtdsY/s1600/50889767_10213190464380161_4104518473181298688_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="709" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5aCWJFVJDVDkf5WhmJ2MpKMexY7DZXSbB78_o8CDnTFlCJUQOo2RNOEIck-orU_VCngmURnjX6xbziPCPBQIAniW1GgGkQtDLtBiZTZ1dQf5TDn0efRC_tCRzyuku_KS1FJtgPdjtdsY/s1600/50889767_10213190464380161_4104518473181298688_n.jpg" /></a></div>
<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-42918201954838921692018-10-08T22:55:00.000+01:002018-10-08T22:57:01.740+01:00Richard Zimler "Os Dez Espelhos de Benjamin Zarco" | Porto, 12 de Outubro I Apresentação de Irene Flunser Pimentel<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkvVskKjYPP5xIn6mpCnBthRw7hLUz65_wwfw4mpMQbOSrXMCDumYXHkaopfrYkJoy55H1zV8pTDCdWfXhCFoemnkkUyhbLYplosFfDu-WnzzPySdl7uzAV12aXce2K-0SPNBN0TY0N_8/s1600/43102612_1917892214914945_8584681129737453568_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="355" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkvVskKjYPP5xIn6mpCnBthRw7hLUz65_wwfw4mpMQbOSrXMCDumYXHkaopfrYkJoy55H1zV8pTDCdWfXhCFoemnkkUyhbLYplosFfDu-WnzzPySdl7uzAV12aXce2K-0SPNBN0TY0N_8/s1600/43102612_1917892214914945_8584681129737453568_n.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-large;"><a href="https://ntradio.pt/2018/10/02/os-dez-espelhos-de-benjamim-zarco-de-richard-zimler-chancela-porto-editora/" target="_blank">+ INFO</a></span></td></tr>
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<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-80933199921671287712018-10-07T23:26:00.000+01:002018-10-13T03:04:24.257+01:00 Diário de Maria Blei - Tagebuch für Tochter Billy | 11 out. ’18 | 17h30 | Apresentação de Irene Flunser Pimentel | Anfiteatro da Biblioteca Nacional | Entrada livre<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuZfsLoaCbUBNXiK7Xg6OIsX-t5lUYb2TsU8zxtbf6xx4XVUw84ZYamWngLH3PEW7bC2Bt6ZgQTMIrvho0HUKdKHH_dQ5C77g05ldtWFcfIxbj6gsasju5hcaOSOl_JGQo0loWfBGRpfk/s1600/519flYYcKUL._SR600%2C315_PIWhiteStrip%2CBottomLeft%2C0%2C35_SCLZZZZZZZ_.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuZfsLoaCbUBNXiK7Xg6OIsX-t5lUYb2TsU8zxtbf6xx4XVUw84ZYamWngLH3PEW7bC2Bt6ZgQTMIrvho0HUKdKHH_dQ5C77g05ldtWFcfIxbj6gsasju5hcaOSOl_JGQo0loWfBGRpfk/s1600/519flYYcKUL._SR600%2C315_PIWhiteStrip%2CBottomLeft%2C0%2C35_SCLZZZZZZZ_.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-large;"><a href="http://www.bnportugal.pt/index.php?option=com_content&view=article&id=1373%3Aapresentacao-diario-de-maria-blei-tagebuch-fuer-tochter-billy-11-out-18-18h00&catid=169%3A2018&Itemid=1384&lang=pt" target="_blank">+info</a></span></td></tr>
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<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-32369091896050391172018-10-03T01:15:00.000+01:002018-10-09T01:17:18.162+01:00Documentário da BBC com Irene Flunser Pimentel<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-large;"><a href="https://www.dropbox.com/s/inljk0q76hd39a0/ALG2_LISBON_FKAH618D_03_H264_CLEAN.mp4?dl=0" target="_blank">DESCARREGAR VIDEO</a></span></td></tr>
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<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-78547976758429979322018-09-30T23:41:00.000+01:002018-09-30T23:41:12.789+01:00A República no Feminino<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSx_MNQm979cjTu1_fT3gzDDrw6bwz96C4r-r0OM8vH3kahLWEtNTRnp76BnOYYnvAuoPJPOj8WvRlgf9PkcBipQ1i-KkEMaYxe4z4ZMZ-VP9HoFPTzQqy3FC-3J9dMEA97fdKJOwPljs/s1600/esgpg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="489" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSx_MNQm979cjTu1_fT3gzDDrw6bwz96C4r-r0OM8vH3kahLWEtNTRnp76BnOYYnvAuoPJPOj8WvRlgf9PkcBipQ1i-KkEMaYxe4z4ZMZ-VP9HoFPTzQqy3FC-3J9dMEA97fdKJOwPljs/s1600/esgpg.jpg" /></a></div>
<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-4642827419474844132018-09-28T11:01:00.000+01:002018-09-30T23:24:36.026+01:00Avaliação que foi feita à minha candidatura ao Concurso «Stimulus of Scientific Employment – Individual Support 2017»<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu-Eu21is2iPAfQikYOuwqcNhhrTz3t9gnisPpBG_1DpoBbOlp1Oz2dprk2sK5SQVkRr6WKAy44S4ohP8c-OsJ6nE35oEhiVY4L_qmrEjKcLLEdM-LTQfagz8YELGCTs2kKYyj7NY9oaM/s1600/te%CC%81cnico.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="473" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu-Eu21is2iPAfQikYOuwqcNhhrTz3t9gnisPpBG_1DpoBbOlp1Oz2dprk2sK5SQVkRr6WKAy44S4ohP8c-OsJ6nE35oEhiVY4L_qmrEjKcLLEdM-LTQfagz8YELGCTs2kKYyj7NY9oaM/s1600/te%CC%81cnico.JPG" /></a></td></tr>
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Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-18266727026984366732018-09-25T13:46:00.001+01:002018-09-25T13:46:04.626+01:00A INFLUÊNCIA DAS REFUGIADAS NA 2ª GUERRA MUNDIAL (ENTRADA LIVRE) Dia 27 Outubro, às 18 h ma Biblioteca Especializada Ana de Castro Osório<div style="text-align: center;">
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<div style="text-align: center;">
<span style="font-size: large;">A INFLUÊNCIA DAS REFUGIADAS NA 2ª GUERRA MUNDIAL</span></div>
<div style="text-align: center;">
<span style="font-size: large;">(ENTRADA LIVRE)</span></div>
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<div style="text-align: center;">
<span style="font-size: large;">Participação de Irene Flunser Pimentel</span></div>
<div style="text-align: center;">
<span style="font-size: large;">Moderação de Manuela Tavares</span></div>
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<span style="font-size: large;"><span style="font-family: inherit;">Biblioteca Especializada Ana de Castro Osório</span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;">Rua da Junqueira 295</span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;">+ info <a href="http://blx.cm-lisboa.pt/noticias/detalhes.php?id=1290" target="_blank">AQUI</a></span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;">bib.belem@cm-lisboa.pt</span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;">T. 218 172 580</span></span></div>
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Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-39435435079531329992018-09-24T12:52:00.000+01:002018-09-24T12:52:54.003+01:00ESCLARECIMENTO<!--[if gte mso 9]><xml>
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<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Pelas piores razões fui alvo de notícia, ao ser
recusada a minha candidatura para o concurso de apoio ao estímulo científico,
aberto pela Fundação para a Ciência e Tecnologia. Por isso, considero meu dever
prestar os seguintes esclarecimentos.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify; text-indent: -18.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> 1 - Em
primeiro lugar, quero agradecer a solidariedade que tive de imediato das mais
variadas pessoas, embora não tanto da academia, à qual não pertenço. Não só o
interesse e a manifestação da consternação me comoveram como me fizeram lembrar
que a verdadeira avaliação, porque a mais justa, é a dos leitores e de todos
aqueles que me ouvem em aulas, colóquios, conferências e congressos. Muito
obrigada</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify; text-indent: -18.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> 2 - Em
segundo lugar, pelas caixas de comentários na imprensa, apercebi-me de que
muitos portugueses consideram que quem investiga em Portugal não o faz a tempo
inteiro e ignoram que tem as mesmas necessidades de vida de qualquer outro
trabalhador. Por isso esse trabalho deve ser financiado com um
salário/ordenado.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify; text-indent: -18.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> 3 - Mais
importante, desejo tornar público de imediato que me junto à investigadora
Professora Doutora Maria Manuel Mota no propósito de não recorrer da decisão
dos avaliadores do concurso a que me sujeitei e cujas regras do jogo aceitei.
Aproveito para a felicitar pela coragem com que publicitou a recusa do seu
projecto. Também, por já me ter candidatado a diversos concursos, apercebi-me
que é extremamente difícil uma decisão ficar sem efeito. Além disso, a
mediatização que a minha recusa já teve poderia ser considerada uma pressão
sobre os avaliadores do recurso. </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify; text-indent: -18.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">-
4 - Solidarizo-me com todos os 3.600 colegas que viram os seus projectos recusados
e lembro-lhes que haverá mais concursos.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify; text-indent: -18.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"> 5 - Finalmente,
aguardarei até ao fim do processo - neste caso até ao final do prazo de recurso
e audiência -, para tornar pública a avaliação que me foi feita. Faço-o, para que
sejam corrigidos no futuro critérios que considero errados.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-family: "Arial","sans-serif"; font-size: 18.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Irene Flunser Pimentel</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"></span></div>
<div class="MsoNoSpacing">
<br /></div>
Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-5981975203968342592018-09-24T00:13:00.001+01:002018-09-24T00:13:36.703+01:00"Morriña en un nido de espías" - ("Portugal, paraíso de espías")<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRk9hvTdVZcQMaEGWCiEeEFF590cQ7t3whk2V6VCvlFcMaurlql0UYv2X27KdE00VF02eBL05H7rN5giRLUe6YKxz8-oAroE7d4UEhzCfCBVoQCcybbdYyOR-ZvGwoVS7nCACwKN4lTrs/s1600/joan_puyol.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="399" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRk9hvTdVZcQMaEGWCiEeEFF590cQ7t3whk2V6VCvlFcMaurlql0UYv2X27KdE00VF02eBL05H7rN5giRLUe6YKxz8-oAroE7d4UEhzCfCBVoQCcybbdYyOR-ZvGwoVS7nCACwKN4lTrs/s1600/joan_puyol.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><span style="font-size: x-large;">“<a href="https://pamontnoticias.wordpress.com/2018/09/19/morrina-en-un-nido-de-espias/" rel="nofollow" target="_blank">Los británicos escuchaban cómo (Pujol) engañaba a los alemanes y poco después lo reclutaron”, explica la historiadora Irene Pimentel, autora del libro “Espías en Portugal durante al II Guerra Mundial”</a></span></td></tr>
</tbody></table>
Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-48993322220285315362018-09-18T02:16:00.002+01:002018-09-18T02:21:55.750+01:00Shoah<span style="font-size: x-large;"><br /></span>
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><br /></span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Shoah. </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Holocausto. </span></div>
<div style="text-align: center;">
<span style="font-size: x-large;">Será sobre esse tema um dos meus próximos livros.</span><br />
<span style="font-size: x-large;"><br /></span>
<span style="font-size: x-large;"><br /></span>
<span style="font-size: x-large;"><br /></span>
<span style="font-size: x-large;"><br /></span>
<span style="font-size: x-large;"><br /></span></div>
Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-22607033973577834332018-09-18T00:24:00.004+01:002018-09-18T00:29:58.298+01:00“Júlio Pomar – O pintor no tempo” - Irene Flunser Pimentel<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTvRPF8w2ou6Tp2ealx3IUEkjSyGbyKXdn1ndL-QgtCBQ9c6cekntTTPHFWyYKNkw3jFh9EsTkfJfk_8eBkQBBiOdLs8Ab0fdHMraNkUqs5wxbNO5nu7ggcXRhhJ9nrz4Ra-Rorc68ewc/s1600/2018-06-07_Julio-Pomar_703x331.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="334" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTvRPF8w2ou6Tp2ealx3IUEkjSyGbyKXdn1ndL-QgtCBQ9c6cekntTTPHFWyYKNkw3jFh9EsTkfJfk_8eBkQBBiOdLs8Ab0fdHMraNkUqs5wxbNO5nu7ggcXRhhJ9nrz4Ra-Rorc68ewc/s1600/2018-06-07_Julio-Pomar_703x331.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><a href="http://blogue-documenta.blogspot.com/2018/02/julio-pomar-o-pintor-no-tempo-i-irene.html" target="_blank"> LER +</a></span><br />
<span style="font-size: large;"><a href="https://observador.pt/2018/06/07/livro-julio-pomar-o-pintor-no-tempo-de-irene-flunser-pimentel-e-lancado-esta-quinta-feira/" target="_blank"> CLIPPING</a></span></td></tr>
</tbody></table>
<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-41779484151499182392018-09-14T12:00:00.000+01:002018-09-28T01:18:13.002+01:00Avaliação que foi feita à minha candidatura ao Concurso «Stimulus of Scientific Employment – Individual Support 2017»<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl3l_zanpQMHxWlsuB_rIT0VuFWrhhfkIp_sJXA__DjFlT92VYpJAZrJ1HTb2o7dc6MPwy00Ed8q2IJiHZak0uPqCsxnWsPMJANLOT_bnvoZqUUWHnum5Op5CBaUbh-kjwE-YwxBCr7hE/s1600/Joa%CC%83o+Ferrand+jpg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="594" data-original-width="396" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl3l_zanpQMHxWlsuB_rIT0VuFWrhhfkIp_sJXA__DjFlT92VYpJAZrJ1HTb2o7dc6MPwy00Ed8q2IJiHZak0uPqCsxnWsPMJANLOT_bnvoZqUUWHnum5Op5CBaUbh-kjwE-YwxBCr7hE/s640/Joa%CC%83o+Ferrand+jpg.jpg" width="426" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
ana vidigal, O Desejoso, 2017</div>
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<div style="text-align: justify;">
<span style="font-family: "times new roman"; font-size: large;">Dado que vou concorrer de novo com exactamente o
mesmo projecto de investigação num próximo concurso, só coloco aqui alguns
aspectos que provam que o painel de avaliação ou não leu a minha candidatura
até ao fim, ou de forma arbitrária, pura e simplesmente pré-decidiu que ela
seria recusada, recorrendo a critérios novos que são sempre passíveis de ser
usados.</span></div>
<div style="text-align: justify;">
</div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;">
<span style="font-family: "times new roman";"><span style="font-size: large;">Aconselho todos os que concorram, a partir de
agora, não a ler o só o sempre indispensável livro de Humberto Eco, «Como se
faz uma tese de licenciatura», mas que recorram a manuais (ou gestores) que
ensinem como devem ser preenchidas as candidaturas de projectos de investigação
e como se deve escapar a novos critérios que entretanto surjam.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;">
<span style="font-family: "times new roman";"><span style="font-size: large;">Numa das vezes que concorri - concurso
«Investigator» -, fui recusada por não ter “suficiente” produção em revistas
científicas estrangeiras. O facto de eu ter uma produção em livros não contou
para nada. Desta vez, era impossível recorrer a esse argumento. Mas, deixo
agora ao juízo público a avaliação qualitativa que me foi feita, esperando que
de futuro todo o processo seja corrigido, não deixando espaço à arbitrariedade.
Apenas introduzi uma pontuação (não existente no original), para facilitar o
esclarecimento<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;">
<b><span style="font-family: "times new roman";"><span style="font-size: large;">Avaliação da candidatura submetida, pelo painel da FCT<o:p></o:p></span></span></b></div>
<div class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">1)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">«The candidate has a proven
track record of producing high quality scientific outputs arising from funded
projects. <o:p></o:p></span></i></span></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">2)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">The panel agreed that she is an
established scholar in her field of research and possesses an outstanding
publication record. <o:p></o:p></span></i></span></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">3)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">The proposed project is
undoubtedly relevant (covering topics such as the relationship between
dictatorship and democracy, colonialism and decolonisation), has the potential
to shed further light on several less studied aspects of the Portuguese secret
police, and represents the natural corollary of the candidate’s successful
career as a leading expert on this particular field of historical inquiry. <o:p></o:p></span></i></span></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">4)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">The candidate was expected,
however, to have provided more detailed information, including references, in
the state-of-the-art section.<o:p></o:p></span></i></span></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">5)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">She also failed to mention
which countries and repositories will be studied in her project.<o:p></o:p></span></i></span></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="mso-list: Ignore;">6)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; font-family: "times new roman";"><span style="mso-spacerun: yes;"> </span>For such important and wide issues more
clarification about sources and details about archives and collections is
necessary; the reference to oral sources is not enough. <o:p></o:p></span></i></span></div>
<div class="MsoListParagraphCxSpLast" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">7)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></i><!--[endif]--><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">Finally, the candidate did not
provide a specific timetable for the completion of her research, publications
and dissemination activities, and failed to specify (and quantify) the type of
outputs»<o:p></o:p></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;">
<b><span style="font-family: "times new roman";"><span style="font-size: large;">Chamo a atenção desde já para alguns aspectos:<o:p></o:p></span></span></b></div>
<div class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><span style="font-family: "times new roman";"><span style="mso-list: Ignore;">1)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><!--[endif]--><span style="font-family: "times new roman";">O currículo foi elogiado, além de que revela que
os resultados de projectos anteriores da minha autoria financiados pela FCT são
de alta qualidade científica. <o:p></o:p></span></span></div>
<div class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><span style="font-family: "times new roman";"><span style="mso-list: Ignore;">2)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><!--[endif]--><span style="font-family: "times new roman";">O painel considerou que sou uma académica com um
percurso estabelecido e possuo uma lista de publicações «outstanding» (parece-me
um elogio).<o:p></o:p></span></span></div>
<div class="MsoListParagraphCxSpLast" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><span style="font-family: "times new roman";"><span style="mso-list: Ignore;">3)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span><!--[endif]--><span style="font-family: "times new roman";">Quanto ao projecto de investigação proposto, não
poderia ser mais elogiado, segundo penso. O que me espanta é que se diga –
coloco no original - </span><span style="background: white; color: black; font-family: "times new roman";">que o meu projecto «represents the natural
corollary of the candidate’s successful career as a leading expert on this
particular field of historical inquiry» e se recuse pura e simplesmente que eu
prossiga na minha carreira, devido aos pontos 4) 5), 6) e 7). </span><span style="font-family: "times new roman";"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 3.75pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;">
<b><span style="font-family: "times new roman";"><span style="font-size: large;">O que motivou a recusa da minha candidatura<o:p></o:p></span></span></b></div>
<div class="MsoListParagraph" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">4)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span></span></i></b><!--[endif]--><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">The candidate was expected,
however, to have provided more detailed information, including references, in
the state-of-the-art section.<o:p></o:p></span></i></b></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "times new roman";">Esperavam que eu desse mais esclarecimentos quanto ao estado da arte e às
referências. Aqui, reproduzi o que escrevi na candidatura (que não pode exceder
um determinado número de caracteres) e que me parece que ou houve engano e
confusão, ou o painel não leu. Quanto às referências, coloquei um certo número
delas no ponto onde eram solicitadas. Certamente não esperavam uma lista
infindável de 50 páginas (é o único ponto que não tem limite), mas fá-lo-ei
numa próxima candidatura </span><span style="font-family: "times new roman";"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">B.1.1. Background (terceiro parágrafo)<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">«At the time, my research work on PIDE/DGS was innovative, as was
innovative the approach to its international relationship with other police and
secret agencies, even of democratic countries.<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">On the other hand, due to the fact that one of my objects of study was
Portugal’s neutrality, during World War II, I specifically studied the role of
foreign spies in Portuguese territory, namely those of British and German
allegiances. I also dealt with the actions of the political police of Francisco
Franco's Spanish regime, of the French espionage and counter-espionage (both
Vichy and Gaullist), of the Polish and other Nazi-occupied countries, as well
as of the Office of Strategic Service (OSS). Created in 1942, following the US
entry into the world war, this secret service would give rise to the post-war
Central Intelligence Agency (CIA).<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">On this subject there were other studies, mainly journalistic, but I think
that my work was innovative in what was related with the police and
paramilitary institutions of then, the State Surveillance and Defense Police
(PVDE) and the Portuguese Legion (LP ). The work undertaken so far by other
authors and myself has had an impact in various disciplinary and professional
fields, not only in relation to the police, in its political specificity in a
dictatorial regime, but also in the diplomatic and extra-diplomatic secret
relations between Portugal and others countries.<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";">All these studies, which deal with the recent past of Portugal, are also
important for their contribution to the analysis of the subject of the
transition from a dictatorial to a democratic regime, as well as the
construction and functioning of a Democracy as it deals with questions such as
information and security.</span></i><span style="font-family: "times new roman";">»<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 3.75pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 3.75pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-family: "times new roman";"><span style="font-size: large;">«B<i style="mso-bidi-font-style: normal;">.</i>1.6.<i style="mso-bidi-font-style: normal;"> References <o:p></o:p></i></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">Andrew, Christopher (with Vasili Mitrokhin)., The Mitrokhin Archive. Vol.
I: The KGB in Europe and the West , Penguin, 1999; Vol. II: The KGB and the
World, Penguin, 2005<br />
---, The Defense of the Realm. The Authorised History of MI5, Allen Lane, 2009<br />
Araújo, Rui, O Diário Secreto que Salazar não leu, Lisboa, 2008<br />
---, O Império dos Espiões. A Espionagem em Portugal e nas Colónias, Lisboa,
2010<br />
Barreiros, José António, A Lusitânia dos Espiões, 1995. <br />
Beevor, Jack, SOE Reflections, 1982.<br />
Breitman, Richard; Secrets Officiels; Ce que les nazis planifiaient; ce que les
Britanniques et les Américains savaient, 2005 (1..º ed 1998).<br />
Burns, Jimmy, Papa Spy: Love, Faith and Betrayal in Wartime Spain, London, 2009
<br />
Castaño, David, Paternalismo e Cumplicidade. As Relações Luso-Britânicas de
1943 a 1949, 2006<br />
Darling, Donal, Donald Darling, Secret Sunday, 1975.<br />
Faligot, Roger, Krop, Pascal, La Piscine. Les Services Secrets francais.
1944-1984, 1985<br />
Gellately, Robert, The Gestapo and German Society. Enforcing Racial Policy
1933-45, 1990<br />
Jeffery, Keith, MI6. The History of the Secret Intelligence Service. 1909-1949,
2011<br />
Keegan, John, Intelligence in War. Knowledge of the Enemy from Napoleon to
Al-Qaeda, 2004<br />
Macintyre, Ben, Double Cross. The True Story of the D-Days Spies, , 2012<br />
Pimentel, Irene Flunser, O Caso da PIDE/DGS. Foram julgados os principais
agentes da Ditadura? julgados (The Case of PIDE/DGS. Were the main agentes of
the Dictororship judged?, 2017<br />
---, Espiões em Portugal durante a Segunda Guerra Mundial (Spies in Portugal,
in World War Two), 2013<br />
---, A História da PIDE (The Portuguese New State´s Political Police. An
History), 2007<br />
Richelson, Jeffrey T., A Century of Spies. Intelligence in the Twentieth
Century, 1995<br />
Telo, António José, A Neutralidade Portuguesa e o Ouro Nazi, 2000<br />
---, Propaganda e Guerra Secreta em Portugal (1939-1945), 1990<br />
Thomas, Martin, Fight or Flight: Britain, France and their Roads from Empire, a
book published with Oxford University Press, 2014 <br />
---, Empires of Intelligence: Security Services and Colonial Control, Berkeley:
University of California Press, 2007.<br />
Walton, Calder, Empire of Secrets, British Intelligence, the Cold War and the
Twilight of Empire, HarperPress, 2013<br />
The Labyrinth, Memoirs of Walter Schellenberg, Hitler´s chef of
Counterintelligence, 2000, 1.ª ed. 1956<br />
Weiner, Tim, Legacy of Ashes. The History of the CIA, 2007<br />
Wylie, Neville, 'An Amateur Learns his Job'? Special Operations Executive in
Portugal, 1940-42, Journal of Contemporary History, Vol 36(3), 2001, pp.
441-457» <o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-align: justify;">
<br /></div>
<div class="MsoListParagraph" style="line-height: normal; margin-left: 18.0pt; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-size: large;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "times new roman";"><span style="mso-list: Ignore;">5)<span style="font-family: "times new roman"; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span></span></i></b><!--[endif]--><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">She also failed to mention
which countries and repositories will be studied in her project.<o:p></o:p></span></i></b></span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 3.75pt; text-align: justify;">
<span style="background: white; color: black; font-family: "times new roman";"><span style="font-size: large;">Novamente, publico parte do texto da minha candidatura, que
torna muito evidente que os países são os Estados Unidos e países europeus,
incluindo França, Bélgica, bem como países africanos colonizados no passado por
Portugal.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-family: "times new roman";"><span style="font-size: large;">«<i style="mso-bidi-font-style: normal;">B.1.2. Research plan and methods <o:p></o:p></i></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">«Thiswork is framed within, both political and institutions History, in
diplomatic and international relations between secret services History,
integrating issues related to the Dictatorship and Democracy. <o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">The main archives where sources will be collected are Portuguese ones, but
the research will also be undertaken in the archives of several other
"western" European countries and in USA.<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">I will certainly face some problems in my research, precisely because
secret services are indeed secret and there are restrictions a to the access of
sources in the National Archives. In alternative, however it is possible to
resort to other sources, such as the press, declassified information and Memory
accounts of former secret police agents. It is also an issue that tends to
appear in the form of Official History, which is not forcebly bad, if it is
taken in account its official status. I will definitely use, for instance the
work of Christopher Andrew, namely his authorized history of the British
Security Service (MI5), «Defend the Real»(Penguin 2009). Also in general the
bibliography about the subject is fortunately very rich and abundant, mostly in
Great Britain and the United States, but also in other European countries.»<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="background: white; font-family: "times new roman";"><span style="font-size: large;">6)
For such important and wide issues more clarification about sources and details
about archives and collections is necessary; the reference to oral sources is
not enough, <o:p></o:p></span></span></i></b></div>
<div class="MsoNormal" style="line-height: normal; text-align: justify;">
<span style="background: white; font-family: "times new roman";"><span style="font-size: large;">Quanto
à clarificação das fontes e colecções, a única coisa que eu não fiz foi nomear
os arquivos, o que aliás não era pedido. Como é evidente, tratava-se do Arquivo
da PIDE/DGS na Torre do Tombo, de Lisboa, o Public Record Office, e não só, de
Londres, os arquivos da CIA e os National Archives, de Washington, bem co9mo os
Arquivos de Vincennes, Paris. Remeto também para o que já referi no ponto em
B.1.2. O mais estranho e demonstrativo de uma leitura enviesada pelo painel é
que a única vez que refiro história oral, e não «fontes orais», nem sequer é
nas referências, mas na parte das questões éticas, consideradas pelo painel
(positivamente) que não se colocavam.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-family: "times new roman";"><span style="font-size: large;">«<i style="mso-bidi-font-style: normal;">B.1.4. Ethical issues <o:p></o:p></i></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">I think that ethical questions do not exist within the scope of this
research on History and the past. It is true that the research involves human
participants, and if Oral History and interviews are used it will be on a
voluntary basis and none of the persons will belong to vulnerable individuals
or groups.» <o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";">7. </span></i><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="background: white; color: black; font-family: "times new roman";">Finally, the candidate did not provide a specific timetable
for the completion of her research, publications and dissemination activities, and
failed to specify (and quantify) the type of outputs.</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><o:p></o:p></span></i></span></div>
<div class="MsoNormal" style="line-height: normal; text-align: justify;">
<span style="background: white; color: black; font-family: "times new roman";"><span style="font-size: large;">Com o devido respeito, fiz mais que isso: apresentei o plano
provisório da minha investigação, dividida em quatro partes, que não vou aqui
mencionar, pois vou voltar a concorrer. Se o que se pretendia era que eu
dissesse, por exemplo, que a fase de investigação em arquivos duraria dois
anos, a fase de escrita, outros dois anos, e a disseminação dos resultados
outros dois anos, então teriam de ter mencionado esse requisito na candidatura.
Eu não o fiz, pois faltaria à verdade, dado que, pela minha experiência, só
iniciada a investigação - e esta só é possível com financiamento -poderei dizer
quanto tempo esta durará – procura de fontes nos arquivos consultados, resposta
destes, e só depois.<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: large;"><span style="background: white; color: black; font-family: "times new roman";">É claro que
o que pretendo, como sempre o fiz, é publicar os resultados em livro e em <i style="mso-bidi-font-style: normal;">papers</i> internacionais, bem como promover
conferências e participar em colóquios sobre o tema, como aliás é mencionado
por mim, no ponto «</span><span style="font-family: "times new roman";">B.1.3. <i style="mso-bidi-font-style: normal;">Expected
outcomes</i>»: <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">«The fact that a dictatorship lasted in Portugal until 1974 raises the
question of how that regime related to and with, in terms of its political
police and secret information agencies of democratic countries. Given the
comparative component of research, which will span the continents of Europe,
sub-Saharan Africa and North America, I will seek to disseminate the results
that I will reach at an international level.<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">The proposed research addresses current issues such as colonialism,
decolonisation and post-colonialism, human rights, religious, ethnic and gender
discrimination, as well as the very important issue of refugees and emigration
/ economic migration. The results of the research may contribute to the studies
on transitions to democracy and may link to the following themes: Dictatorship
versus Democracy; Colonisation versus Decolonisation; Political repression
versus transitional Justice.<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">More specifically, I will try to organize meetings and exchange
information, internationally, with the countries mentioned in the study, as
well as other pertinent countries. It is true that some of them, who were
colonial countries, as are the cases of France and Belgium, collaborated with
the Portuguese Armed Forces and the political police, transmitting know-how of counterintelligence
and guerrilla warfare, as well as of the interrogation of prisoners, using
torture.<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">Hence the crucial reflection on human rights, violated by democratic
European countries where Portuguese political exiles and economic emigrants
fled to. The states of these countries, although democratic, did not cease to
have a dialog and an exchange between their polices and secret services with
those of the Portuguese Dictatorship.<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 12.0pt; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: large;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";">These and other examples can serve as negative models of what we cannot and
should not do today in terms of the current pressing issues the concern
receiving refugees and the thinking of political and / or economic refuge.</span></i><span style="font-family: "times new roman";">»<o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "times new roman"; line-height: 115%;"><span style="font-size: large;">Já
agora, aproveito a ocasião para considerar que o ponto B.I.5. «<i style="mso-bidi-font-style: normal;">Compliance with the goals of 2030 Agenda</i>»
é dispensável. Mesmo assim, não deixei de responder. A minha resposta começa
aliás por argumentar por que acho dispensável, pelo menos em investigações das
chamadas Ciências Sociais e Humanas»:<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">«B.1.5. Compliance with the goals of 2030 Agenda <br />
By having a Contemporary History framework, this study of a recent past, like
any other historiographical one, hardly fits at first glance, into the 17 goals
of Agenda 2030, which aim the future. Historiographical research has no ability
to predict the future, and only indirectly does the past - of a finished
process - influence the present.<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman";"><span style="font-size: large;">However, knowing the past allows the draw of lessons about what should not
be repeated, thus shaping the present. Therefore, aspects that will be studied
here, are related to ensure inclusive and equitable quality education as well
as the reduction of inequality within and between countries (Objective 10) and
above all for the promotion of peaceful societies, with justice and accountable
and inclusive institutions (Goal 16).»<o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<br /></div>
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-->Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-57337186742195531912018-06-30T13:48:00.004+01:002018-06-30T14:04:41.127+01:00A negritude, a escravidão, o apartheid, o racismo,shoah, memória, violência, ditadura e repressão na obra de NUNO NUNES-FERREIRA (2000/2010)<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/14618596" webkitallowfullscreen="" width="640"></iframe>
<a href="https://vimeo.com/14618596">2000-2010</a> from <a href="https://vimeo.com/user4630456">NN-F</a> on <a href="https://vimeo.com/">Vimeo</a>.</div>
Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-30211423598222246872017-11-17T12:43:00.000+00:002017-11-17T12:44:09.770+00:00Acerca de Alberto da Veiga Simões e de Aristides de Sousa Mendes | Jornal Express<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht9cBgxb2NVn2BPw6p3raFWoTetGhcRS1jKsv7cjGd0YhqiXrKt1NbXAqk_7a1BQCR5i7gGcUdds5NcGCPP9GN-mzkhayOhCjemx7TXcMXEkv_vfkDffTrP1fBOVuXGsJM6yD1Bm-I49I/s1600/original.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="100" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht9cBgxb2NVn2BPw6p3raFWoTetGhcRS1jKsv7cjGd0YhqiXrKt1NbXAqk_7a1BQCR5i7gGcUdds5NcGCPP9GN-mzkhayOhCjemx7TXcMXEkv_vfkDffTrP1fBOVuXGsJM6yD1Bm-I49I/s1600/original.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><h2 class="lead" style="border: 0px; box-sizing: inherit; color: grey; font-family: Merriweather, Georgia, serif; font-stretch: normal; font-weight: 400; line-height: 1.4em; margin: 32px 0px; outline: 0px; padding: 0px; text-align: start; vertical-align: baseline;">
<span style="font-size: x-large;">A propósito do artigo “O desconhecido Veiga Simões”, assinado por Diogo Ramada Curto e publicado na Revista do Expresso de 28 de outubro de 2017, recebemos de Irene Pimentel, historiadora e vencedora do Prémio Pessoa em 2007, a seguinte réplica:</span><a href="http://expresso.sapo.pt/cultura/2017-11-06-Acerca-de-Alberto-da-Veiga-Simoes-e-de-Aristides-de-Sousa-Mendes" target="_blank"> <span style="font-size: x-large;">LER AQUI</span></a></h2>
<div>
<br /></div>
</td></tr>
</tbody></table>
<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-71948303420298817162017-11-17T12:35:00.001+00:002017-11-17T12:36:19.660+00:00O CASO DA PIDE DGS | Foram julgados os principais agentes da ditadura portuguesa? | Inferno T7 Ep.42 Espaço de entrevista com a historiadora Irene Pimentel, para nos falar do seu mais recente livro "O caso da Pide/DGS – Foram julgados os principais agentes da ditadura portuguesa?" | CLIPPING <iframe allowfullscreen="" frameborder="0" height="330" src="https://www.youtube.com/embed/AHC0I1TbsqY?rel=0&controls=0&showinfo=0" width="709"></iframe>Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-62934967878529968082017-11-17T12:26:00.000+00:002017-11-17T12:27:18.599+00:00O CASO DA PIDE DGS | CLIPPING <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS7w3jW0kzFnRtc9AZTZXerjMsinZ_oNoUjoTmAYwgnwcgNStaK3DL4CtKjj1FHOe6NQYHCoAgHxI6_zFgSPjQwtqMgKZ5wOeXEfUgSE5VE6_9xSZBGaJs9uF50uAO-vUCrWNP1uVjAj4/s1600/image_content_1077496_20171023215127.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="399" data-original-width="709" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS7w3jW0kzFnRtc9AZTZXerjMsinZ_oNoUjoTmAYwgnwcgNStaK3DL4CtKjj1FHOe6NQYHCoAgHxI6_zFgSPjQwtqMgKZ5wOeXEfUgSE5VE6_9xSZBGaJs9uF50uAO-vUCrWNP1uVjAj4/s1600/image_content_1077496_20171023215127.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><a href="http://www.dnoticias.pt/5-sentidos/irene-pimentel-lanca-livro-sobre-a-forma-como-foi-julgada-a-pide-dgs-GE2237800" target="_blank">DIÁRIO DE NOTÍCIAS</a><br /><a href="http://www.dw.com/pt-002/historiadora-defende-comiss%C3%A3o-da-verdade-para-esclarecer-crimes-coloniais-em-%C3%A1frica/a-41159651" target="_blank">DEUTSCHE WELLE</a><br /><a href="https://bambaramdipadida.blogspot.pt/2017/10/historiadora-defende-comissao-da.html?spref=fb" target="_blank">BAMDARAM DI PADIDA</a></span></td></tr>
</tbody></table>
<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-54468397158464942342016-10-08T14:08:00.000+01:002016-10-08T14:08:17.204+01:00Esclarecimento: Tenho visto replicado o erro, como aqui de novo neste artigo, de que o episódio do comboio de Novembro de 1940 se teria tornado «conhecido quando, em 2013, foi encontrada uma sobrevivente deste comboio, Rachel Wolf, a partir da qual foi possível reconstruir o que efectivamente se passou». Não é correcto. E o "seu a seu dono". Que eu saiba, o primeiro autor (não sei se baseado em fontes primárias ou em bibliografia) que referiu este episódio foi o historiador alemão, Patrick von zur Muhlen, na obra de 1992, «Fluchtweg Spanien-Portugal. Die deutsche Emigration und der Exodus aus Europa. 1933-1945». Muitos historiadores do Luxemburgo, referidos na bibliografia do livro, também já estudaram este episódio, com base em fontes, também por nós consultadas. Queria deixar isso muito claro.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicZHxXXG-k7qcvw4t3TJQ6aKIAxdL9gK3x77AWJX9mryiXplp_KtghQKmN-hTdOEZgPLd-HacvWBXk-feQyyzpE00-0wHPQHoLWXS1Jl_iEa2Nsi7lb8ywXuqNSlW5vQ_qqYiXaf3D794/s1600/CL.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicZHxXXG-k7qcvw4t3TJQ6aKIAxdL9gK3x77AWJX9mryiXplp_KtghQKmN-hTdOEZgPLd-HacvWBXk-feQyyzpE00-0wHPQHoLWXS1Jl_iEa2Nsi7lb8ywXuqNSlW5vQ_qqYiXaf3D794/s640/CL.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><a href="http://www.jornaldenegocios.pt/weekend/livros/detalhe/os_refugiados_que_portugal_nao_salvou.html" target="_blank">(ler a notícia aqui)</a></span></td></tr>
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<br />Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-4322350046530841912015-11-25T02:23:00.001+00:002015-11-25T02:28:23.002+00:00O julgamento político dos fundadores da FAP<div style="text-align: justify;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEMmYsmlA5W7inB1lkhSh7zrKRFpJa-sZNs8S8n2c2vFYcqBcfJQOpf9S-o4xqGhvzhvKTD2zG_8X4LWIwqCzfkoaOzTtOnnr1IKfWiBrJdjjlP5jyY04KnTVcKOb1w-msmd5lvi86G20/s1600/NReg-4841-750x422.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEMmYsmlA5W7inB1lkhSh7zrKRFpJa-sZNs8S8n2c2vFYcqBcfJQOpf9S-o4xqGhvzhvKTD2zG_8X4LWIwqCzfkoaOzTtOnnr1IKfWiBrJdjjlP5jyY04KnTVcKOb1w-msmd5lvi86G20/s1600/NReg-4841-750x422.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; line-height: 19.32px; text-align: justify;"><span style="font-size: large;">Acabo de vir do Museu do Aljube onde assisti, numa sessão até emotiva e muito interessante, à apresentação do portal da RTP, <a href="http://media.rtp.pt/extremaesquerda/" target="_blank">«Extrema-esquerda»</a>. A RTP, com este verdadeiro serviço público, está de parabéns, pois cumpre o seu verdadeiro objectivo.</span></span></td></tr>
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<span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 19.32px;"><br /></span></div>
<div style="text-align: justify;">
<span style="background-color: white; color: #141823; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 19.32px;"><br /></span></div>
<div style="text-align: justify;">
<br /></div>
<a href="http://media.rtp.pt/extremaesquerda/foi-assim/da-execucao-ao-julgamento-final/#sthash.IjL0i0yl"><span style="font-size: large;">O julgamento político dos fundadores da FAP</span></a>Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-52558524176941757452015-11-24T00:00:00.000+00:002015-11-25T02:15:30.820+00:00O Fio da Meada (7)<span style="font-size: large;"><span class="h4" style="background-color: white; box-sizing: border-box; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 1.1; margin-bottom: 11px; margin-top: 11px;">Irene Pimentel, historiadora, fala sobre a revogação das alterações à lei sobre interrupção voluntária da gravidez. </span><span style="background-color: white; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 22.8571px;">| 24 Nov, 2015</span></span><br />
<a href="http://www.rtp.pt/play/p2057/e214834/o-fio-da-meada#sthash.m57pGZMU.cmfs"><span style="font-size: large;">O Fio da Meada</span></a>Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-29450508211538638482015-11-21T22:01:00.003+00:002015-11-21T22:09:53.432+00:00Nuno Nunes- Ferreira | A memória da guerra colonial<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%;"><br /></span>
<span style="font-size: 14.0pt; line-height: 115%;">Num momento em que a contestação à falta de liberdade em
Angola, protagonizada pela greve da fome feita por Luaty Beirão e a coragem dos
<i style="mso-bidi-font-style: normal;">slogans </i>escritos nas costas dos
uniformes prisionais dos jovens presos no primeiro dia do julgamento, Nuno Nunes-Ferreira
apresenta em Lisboa, desde 11 de Novembro, 40.º aniversário da Independência de
Angola, na galeria <a href="http://www.galeriamigueljustino.com/" target="_blank">Miguel Justino Contemporary Art</a>, a exposição «A Cuca ajuda
a Upa, a Nocal ajuda Portugal».<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%;">Trata-se de uma muito pertinente reflexão sobre o período e a
acção das tropas portuguesas na guerra colonial, iniciada em 1961,
confrontando-a e dialogando tanto com os soldados das tropas portuguesas como
com os guerrilheiros dos movimentos de libertação.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%;">Uma novíssima geração de artistas plásticos, nos quais se
inclui <a href="http://www.nunonunes-ferreira.com/" target="_blank">Nuno Nunes-Ferreira</a>, convoca o passado recente mais traumático de
Portugal, escondido, ignorado, sublimado e alienado pelos ascendentes, pais e
avós. É o que faz Nuno Nunes-Ferreira, ao tomar a iniciativa de procurar os
vestígios do passado, resgatando a memória, por trás do esquecimento
voluntário.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%;">Baseando o seu processo de pesquisa nas próprias memórias
familiares (o seu pai fez comissões militares em Angola, só iniciando depois os
seus estudos em Medicina), Nuno Nunes-Ferreira contextualiza com rigor todas as
imagens, fotografias e textos, transformando-as depois em composições formais
e, na minha opinião de espectadora, em excelentes obras plásticas.<o:p></o:p></span></div>
<div style="text-align: justify;">
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<span style="font-size: 14.0pt; line-height: 115%;">Mas vamos ao seu processo de “arquivista metódico e
compulsivo” como lhe chama João Silvério, curador da Exposição, no texto
introdutório de «A Cuca ajuda a UPA, a Nocal ajuda Portugal»<o:p></o:p></span><br />
<span style="font-size: 14.0pt; line-height: 115%;"><br /></span>
<br />
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<span style="font-size: 14pt; line-height: 21.4667px; text-align: justify;">«Fazer o retrato», «Pai», «Desejais ficar bem na fotografia?», «Olhos nos olhos» e «vestir a pele».</span></div>
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<span style="font-size: 14pt; line-height: 21.4667px;">Questões de identidade sempre presentes, como quem questiona olhos nos olhos os duzentos homens que em imagens tipo-passe e possivelmente com a mesma farda se interrogam: “Porque temos de ir, ou por que vamos?”</span><br />
<span style="font-size: 18.6667px; line-height: 21.4667px;">A quem prestavam «vassalagem»? «Vassalagem</span><span style="font-size: 18.6667px; line-height: 21.4667px;">» </span><span style="font-size: 18.6667px; line-height: 21.4667px;">cega ao orgulho colonial?</span><br />
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<span style="font-size: large; line-height: 115%; text-align: center;">A não perder!</span></div>
<!--EndFragment-->Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-58831223937862070812015-11-17T00:00:00.000+00:002015-11-25T02:17:15.494+00:00O Fio da Meada (6)<span style="font-size: large;"><span class="h4" style="background-color: white; box-sizing: border-box; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 1.1; margin-bottom: 11px; margin-top: 11px;">Irene Pimentel, historiadora, fala sobre os atentados em Paris. </span><span style="background-color: white; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 22.8571px;">| 17 Nov, 2015 </span></span><br />
<a href="http://www.rtp.pt/play/p2057/e213928/o-fio-da-meada#sthash.2xjvCwUX.cmfs" style="font-size: x-large;">O Fio da Meada</a>Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-52468649950949212122015-11-10T00:00:00.000+00:002015-11-25T02:08:57.210+00:00O Fio da Meada (5)<span style="font-size: large;"><span class="h4" style="background-color: white; box-sizing: border-box; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 1.1; margin-bottom: 11px; margin-top: 11px;">A propósito do filme "As sufragistas", Irene Pimentel, historiadora, recorda a conquista do direito ao voto em Portugal. </span><span style="background-color: white; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 22.8571px;">| 10 Nov, 2015 </span></span><br />
<a href="http://www.rtp.pt/play/p2057/e213074/o-fio-da-meada#sthash.3YVrUBWv.cmfs"><span style="font-size: large;">O Fio da Meada</span></a>Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.comtag:blogger.com,1999:blog-6137675407949488806.post-15194438089961151062015-11-03T02:04:00.000+00:002015-11-25T02:05:06.384+00:00O Fio da Meada (4)<span style="font-size: large;"><span class="h4" style="background-color: white; box-sizing: border-box; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 1.1; margin-bottom: 11px; margin-top: 11px;">Irene Pimentel, historiadora, fala sobre o efeito da propaganda repetida até à exaustão. </span><span style="background-color: white; color: #333333; font-family: , "arial" , "helvetica neue" , "helvetica" , sans-serif; line-height: 22.8571px;">| 03 Nov, 2015 </span></span><br />
<a href="http://www.rtp.pt/play/p2057/e212136/o-fio-da-meada#sthash.F0eX4iFB.cmfs"><span style="font-size: large;">O Fio da Meada</span></a>Irene Flunser Pimentelhttp://www.blogger.com/profile/11012242674699872192noreply@blogger.com